Let There Be Lite-RUPERT MORGAN

TRAVELLING IN EUROPE WITH HER FAMILY, DAISY MILLER, AN EXQUISITELY BEAUTIFUL YOUNG AMERICAN WOMAN, PRESENTS HER FELLOW-COUNTRYMAN WINTERBOURNE WITH A DILEMMA HE CANNOT RESOLVE. IS SHE DELIBERATELY FLOUTING SOCIAL CONVENTION IN THE OUTSPOKEN WAY SHE TALKS AND ACTS, OR IS SHE SIMPLY IGNORANT OF THOSE CONVENTIONS? WHEN SHE STRIKES UP AN INTIMATE FRIENDSHIP WITH AN URBANE YOUNG ITALIAN, HER FLAT REFUSAL TO OBSERVE THE CODES OF RESPECTABLE BEHAVIOUR LEAVE HER PERILOUSLY EXPOSED. IN DAISY MILLER JAMES CREATED HIS FIRST GREAT PORTRAIT OF THE ENIGMATIC AND DANGEROUSLY INDEPENDENT AMERICAN WOMAN, A FIGURE WHO WOULD COME TO DOMINATE HIS LATER MASTERPIECES.

Amy Scott-Simon, a young New York heiress, is engaged to marry Max Diamond, an older powerful real estate tycoon. At her bachelorette party, she runs into Jett, Max’s younger half-brother who is fresh back from Italy, where he is a successful male model. They have no idea who each other are. A one night fling leads to complications and regrets. Meanwhile, Chris Diamond — a hot L.A entertainment lawyer — flies into town to meet with his two brothers and Red Diamond, the boys’ dysfunctional billionaire father.