Let There Be Lite-RUPERT MORGAN

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby―whom Nick had idolized at Oxford―and Catherine, who is highly critical of her family’s assumptions and ambitions.

As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family. His two vividly contrasting love affairs, one with a young black clerk and one with a Lebanese millionaire, dramatize the dangers and rewards of his own private pursuit of beauty, a pursuit as compelling to Nick as the desire for power and riches among his friends. Richly textured, emotionally charged, disarmingly comic, this is a major work by one of our finest writers.

TRAVELLING IN EUROPE WITH HER FAMILY, DAISY MILLER, AN EXQUISITELY BEAUTIFUL YOUNG AMERICAN WOMAN, PRESENTS HER FELLOW-COUNTRYMAN WINTERBOURNE WITH A DILEMMA HE CANNOT RESOLVE. IS SHE DELIBERATELY FLOUTING SOCIAL CONVENTION IN THE OUTSPOKEN WAY SHE TALKS AND ACTS, OR IS SHE SIMPLY IGNORANT OF THOSE CONVENTIONS? WHEN SHE STRIKES UP AN INTIMATE FRIENDSHIP WITH AN URBANE YOUNG ITALIAN, HER FLAT REFUSAL TO OBSERVE THE CODES OF RESPECTABLE BEHAVIOUR LEAVE HER PERILOUSLY EXPOSED. IN DAISY MILLER JAMES CREATED HIS FIRST GREAT PORTRAIT OF THE ENIGMATIC AND DANGEROUSLY INDEPENDENT AMERICAN WOMAN, A FIGURE WHO WOULD COME TO DOMINATE HIS LATER MASTERPIECES.