Moving the Maasai: A Colonial Misadventure (St Antony’s Series) 1st ed. 2006 Edition

If the story that struck the Grand Banks off Newfoundland in October 1991 was “The Perfect Storm”, the fire that destroyed London in September 1666 was “The Perfect Fire”. A fire needs only three things: a spark to ignite it, and the fuel and oxygen to feed it. In 1666, a ten-month drought had turned London into a tinderbox. The older parts of the city were almost entirely composed of wood-frame buildings and shanties. The riverside wharves were stack with wood, coal, oil, tallow, hemp, pitch, brandy, and almost every other combustible material known to seventeenth century man. On 2 September 1666, London ignited. Over the next five days the gale blew without interruption and the resulting firestorm destroyed the whole city. “The Dreadful Judgement” tells the true, human story of the Great Fire of London through the eyes of the individuals caught up in it. It is a historical story combining modern knowledge of the physics of fire, forensics and arson investigation with the moving eye-witness accounts to produce a searing depiction of the terrible reality of the Great Fire of London and its impact on those who lived through it.

WINNER OF THE ASAUK FAGE & OLIVER PRIZE 2016 This is the first in-depth scholarly study of the literary awakening of the young intellectuals who became known as Nigeria’s “first-generation” writers in the post-colonialperiod. Terri Ochiagha’s research focuses on Chinua Achebe, Elechi Amadi, Chike Momah, Christopher Okigbo and Chukwuemeka Ike, and also discusses the experiences of Gabriel Okara, Ken Saro-Wiwa and I.C. Aniebo, in the context of their education in the 1930s, 1940s and 1950s at Government College, Umuahia. The author provides fresh perspectives on Postcolonial and World literary processes, colonial education in British Africa, literary representations of colonialism and Chinua Achebe’s seminal position in African literature. She demonstrates how each of the writers used this very particular education to shape their own visions of the world in which they operated and examines the implications that this had for African literature as a whole. Supplementary material is available online of some of the original sources. See: http://boybrew.co/9781847011091_2 Terri Ochiagha holds one of the prestigious British Academy Newton International Fellowships (2014-16) hosted by the School of English, University of Sussex. She was previously a Senior Associate Member of St Antony’s College, University of Oxford.