Stuart Little

This exceptional Egyptian novel – as mesmerising as it is controversial – caused an unprecedented stir when it was first published in Arabic.

Welcome to the Yacoubian Building, Cairo: once grand, now dilapidated, and full of stories and passion. Some live in squalor on its rooftop while others inhabit the faded glory of its apartments and offices. Within these walls religious fervour jostles with promiscuity; bribery with bliss; modern life with ancient culture. At ground level, Taha, the doorman’s son, harbours career aspirations and romantic dreams – but when these are dashed by unyielding corruption, hope turns to bitterness, with devastating consequences.

Alaa Al Aswany’s superb novel about Egypt’s many contradictions is at once an impassioned celebration and a ruthless dissection of a society dominated by dishonesty.

introduces us to families burdened equally by the past and the future. Here, we meet a childless couple with very different desires; a college professor comforting a troubled student; a mother seeking refuge from an abusive husband; an embittered spinster recalling the loss of a dear childhood friend; and a young woman waiting to join her lover abroad. High expectations – whether of success in Nigeria, or the dream of opportunity and accomplishment in America – consume them. In language that is both raw and elegant, his stories are often told from the point of a view of a child – a little girl, an adult daughter. Her closely observed characters populate stories that offer a clear-eyed view of an often traumatic family life, questioning the purpose of their time on earth, and whether there is a hereafter, or a different kind of afterlife altogether, outside of Port Harcourt. Happiness, Like Water heralds the arrival of a fearless and sensitive literary voice.

The vicious-looking airCRaft shot aCRoss the sky at near supersonic speed.

It was a modified Hercules cargo plane, known as an MC-130 “Combat Talon,” the delivery vehicle of choice for U.S. Special Forces units.

This Combat Talon stayed high, very high, it was as if it was trying to avoid being seen by radar systems down at sea level. This was unusual, because there was nothing down there—according to the maps, the nearest land in this part of the Pacific was an atoll 500 klicks to the east.

Then the rear loading ramp of the Combat Talon rumbled open and several dozen tiny figures issued out from it in rapid sequence, spreading out into the sky behind the soaring plane.

The forty-strong flock of paratroopers plummeted to earth, men in high-altitude jumpsuits—full-face breathing masks; streamlined black bodysuits. They angled their bodies downward as they fell, so that they flew head-first, their masks pointed into the onrushing wind, becoming human spears, freefalling with serious intent.

It was a classic HALO drop—high-altitude, low-opening. You jumped from 37,000 feet, fell fast and hard, and then stopped dangerously close to the ground, right at your drop zone.

Curiously, however, the forty elite troops falling to earth today fell in identifiable subgroups, ten men to a group, as if they were trying to remain somehow separate.

A wry, affecting tale set in a small town on the Indonesian coast, Man Tiger tells the story of two interlinked and tormented families and of Margio, a young man ordinary in all particulars except that he conceals within himself a supernatural female white tiger. The inequities and betrayals of family life coalesce around and torment this magical being. An explosive act of violence follows, and its mysterious cause is unraveled as events progress toward a heartbreaking revelation.

Lyrical and bawdy, experimental and political, this extraordinary novel announces the arrival of a powerful new voice on the global literary stage.