Hot Blooded(Slightly used)

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby―whom Nick had idolized at Oxford―and Catherine, who is highly critical of her family’s assumptions and ambitions.

As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family. His two vividly contrasting love affairs, one with a young black clerk and one with a Lebanese millionaire, dramatize the dangers and rewards of his own private pursuit of beauty, a pursuit as compelling to Nick as the desire for power and riches among his friends. Richly textured, emotionally charged, disarmingly comic, this is a major work by one of our finest writers.

Ben Addison, fresh from Yale Law, is a new clerk for one of the Supreme Court’s most respected justices. But when he accidentally reveals the secret outcome of an upcoming decision, a blackmailer makes millions and Ben starts to sweat. Big time. He turns to his co-clerk, Lisa, and his housemates, Nathan, Eric, and Ober, for help. Washington’s best and brightest, they offer coveted insider access to the State Department, a major Washington newspaper, and the Senate. But before they know it, their careers-and their lives-are on the line. Where does loyalty end? Where does greed begin? And how much can you really trust your friends?

When author Douglas Preston moved his family to Florence he never expected he would soon become obsessed and entwined in a horrific crime story whose true-life details rivaled the plots of his own bestselling thrillers. While researching his next book, Preston met Mario Spezi, an Italian journalist who told him about the Monster of Florence, Italy’s answer to Jack the Ripper, a terror who stalked lovers’ lanes in the Italian countryside. The killer would strike at the most intimate time, leaving mutilated corpses in his bloody wake over a period from 1968 to 1985. One of these crimes had taken place in an olive grove on the property of Preston’s new home. That was enough for him to join “Monsterologist” Spezi on a quest to name the killer, or killers, and bring closure to these unsolved crimes. Local theories and accusations flourished: the killer was a cuckolded husband; a local aristocrat; a physician or butcher, someone well-versed with knives; a satanic cult. Thomas Harris even dipped into “Monster” lore for some of Hannibal Lecter’s more Grand Guignol moments in Hannibal. Add to this a paranoid police force more concerned with saving face and naming a suspect (any suspect) than with assessing the often conflicting evidence on hand, and an unbelievable twist that finds both authors charged with obstructing justice, with Spezi jailed on suspicion of being the Monster himself. The Monster of Florence is split into two sections: the first half is Spezi’s story, with the latter bringing in Preston’s updated involvement on the case. Together these two parts create a dark and fascinating descent into a landscape of horror that deserves to be shelved between In Cold Blood and Midnight in the Garden of Good and Evil.

This powerful new novel by the bestselling author ofBlack and Blue,One True Thing,Object Lessons, andA Short Guide to a Happy Lifebegins when a teenage couple drives up, late at night, headlights out, to Blessings, the estate owned by Lydia Blessing. They leave a box and drive away, and in this instant, the world of Blessings is changed forever. Richly written, deeply moving, beautifully crafted, Blessings tells the story of Skip Cuddy, caretaker of the estate, who finds a baby asleep in that box and decides he wants to keep her, and of matriarch Lydia Blessing, who, for her own reasons, decides to help him. The secrets of the past, how they affect the decisions and lives of people in the present; what makes a person, a life, legitimate or illegitimate, and who decides; the unique resources people find in themselves and in a community-these are at the center of this wonderful novel of love, redemption, and personal change by the writer about whomThe Washington Post Book Worldsaid, “Quindlen knows that all the things we ever will be can be found in some forgotten fragment of family.”

TRAVELLING IN EUROPE WITH HER FAMILY, DAISY MILLER, AN EXQUISITELY BEAUTIFUL YOUNG AMERICAN WOMAN, PRESENTS HER FELLOW-COUNTRYMAN WINTERBOURNE WITH A DILEMMA HE CANNOT RESOLVE. IS SHE DELIBERATELY FLOUTING SOCIAL CONVENTION IN THE OUTSPOKEN WAY SHE TALKS AND ACTS, OR IS SHE SIMPLY IGNORANT OF THOSE CONVENTIONS? WHEN SHE STRIKES UP AN INTIMATE FRIENDSHIP WITH AN URBANE YOUNG ITALIAN, HER FLAT REFUSAL TO OBSERVE THE CODES OF RESPECTABLE BEHAVIOUR LEAVE HER PERILOUSLY EXPOSED. IN DAISY MILLER JAMES CREATED HIS FIRST GREAT PORTRAIT OF THE ENIGMATIC AND DANGEROUSLY INDEPENDENT AMERICAN WOMAN, A FIGURE WHO WOULD COME TO DOMINATE HIS LATER MASTERPIECES.