Microwave Techniques: Transmission Lines

In this book Paul Willis, a renowned sociologist and ethnographer, aims to renew and develop the ethnographic craft across the disciplines. Drawing from numerous examples of his own past and current work, he shows that ethnographic practice and the ethnographic imagination are vital to understanding the creativity and irreducibility of experience in all aspects of social and cultural practice.

Willis argues that ethnography plays a vital role in constituting ‘sensuousness’ in textual, methodological, and substantive ways, but it can do this only through the deployment of an associated theoretical imagination which cannot be found simply there in the field. He presents a bold and incisive ethnographically oriented view of the world, emphasizing the need for a deep-running social but also aesthetic sensibility. In doing so he brings new insights to the understanding of human action and its dialectical relation to social and symbolic structures. He makes original contributions to the understanding of the contemporary human uses of objects, artefacts and communicative forms, presenting a new analysis of commodity fetishism as central to consumption and to the wider social relations of contemporary societies. He also utilizes his perspective to further the understanding of the contemporary crisis in masculinity and to cast new light on various lived everyday cultures – at school, on the dole, on the street, in the Mall, in front of TV, in the dance club.

This book will be essential reading for all those involved in planning or contemplating ethnographic fieldwork and for those interested in the contributions it can make to the social sciences and humanities.

In this latest collection of adventures, P. J. O’Rourke casts his mordant eye on America’s recent foreign policy forays. He first travels to Kosovo where he meets KLA veterans, Albanian refugees and peacekeepers, and confronts the paradox of ‘the war that war-haters love to love’. He visits Egypt, Israel and Kuwait, where he witnesses citizens enjoying their newfound freedoms – namely, to shop, to eat and to sit around a lot. Following 11 September, O’Rourke examines the far-reaching changes in the US, from the absurd hassles of airport security to the dangers of anthrax. In Iraq, he witnesses both the beginning and the end of Operation Iraqi Freedom and takes a tour of a presidential palace, concluding that the war was justified for at least one reason: criminal interior decorating.

Peace Kills is an eye-opening look at a world much changed since O’Rourke wrote his bestselling Give War A Chance – a book in which he presciently declared that the most troubling aspect of war is sometimes peace itself.